Garcia said “We were great for seconds on end.” I was lucky to see Jerry play for about 1,000,000 seconds exactly. Thanks for your 1,000,000 views here . Dave Davis wrote this blog for 500 posts and 5 years from 2015 to 2019. Contact me at twitter @gratefulseconds
Showing posts with label 1977-05-28. Show all posts
Showing posts with label 1977-05-28. Show all posts

Thursday, December 5, 2019

A Tale of Two Sugaree: Springfield and Hartford Bookend Spring 1977 Tour

An early fun re-post from 2017


For those paying attention, I am keeping in reserve my blog pieces on some of my favorite shows. So I let Springfield 77's 39th birthday slip by on Saturday and will do the full treatment on its 40th birthday in 2017.  However, let's discuss Spring 1977 for a minute here.

The six week Spring 1977 tour virtually started and ended in the Springfield/Hartford axis (after getting its Mojo back in Philadelphia).  And what bookended this tour was the two Sugarees; the great Springfield version and the out of this world Bertha>Good Lovin>Sugaree that opened the last show of the tour (To Terrapin) in Hartford.
Interesting iy you add the Deadlists timing of 11:17 on April 23 to the 18:43 of May 28 you get exactly 30 minutes of Sugaree Gold

2019 Edit: The awesome and JerryNote-crazed mind of Howard Weiner, the true Sugaree expert wrote this about the Hartford version. Get his book here
https://www.amazon.com/dp/B012WSCF9G/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

My 18 year old AcidCrazied mind that night in Hartford loved to be reminded from both the To Terrapin and Howard's poetry.





So for your listening pleasure and for about 1,800 Grateful Seconds listen to this six week evolution, a tale of two Sugarees today if you get a chance.

Tuesday, May 23, 2017

Hartford May 28: To Terrapin, Best Show of 1977?


Wish I could stream the whole show on Soundcloud, but you can find it below.


After the Grateful Dead played Brown Eyed Woman on May 28, 1977, it was only a few months until the Hartford Civic Center roof caved in.




Sugaree might be the best ever.  Only time the Dead ever played Bertha>Good Lovin>Sugaree. First time I saw the Dead open up Estimated as it flowed into Playin' in the Band (only time Dead ever did that). To Terrapin Official release. Went to the show with the fastest kid at Andover Emile Zen (right Ed and Andy?). We had a great time hitchhiking down, having to sleep next to the freeway after the show and getting back to Massachusetts on Sunday afternoon.  I doubt I did homework that Sunday.  The end of four Saturday nights in six weeks. Would have to wait until Englishtown for my next show.  Excellent review by Hartford's own J. Greg Robertson. RIP J. Greg, quite a story of your own http://www.legacy.com/obituaries/hartfordcourant/obituary.aspx?pid=180267737
You can download this show from Amazon for $14 if you don't have it. Or even better buy a CD at dead.net for $19.99.  Support your boys :) http://www.dead.net/store/1970s/terrapin-hartford-77-cd 

Second set jam is included in the famous top-31 jam segments of the Grateful Dead Projects
Estimated Prophet>Playin'>Terrapin>drums>Not Fade Away>Wharf Rat>Playin>Saturday Night
I love listen to this.  Gary Lambert wrote some great notes to the CD (see below). The last night of the Spring tour was played "tighter , and with more apparent concentration" according to Hartford's Robertson. I'm glad I wasn't the only one that called it "California>Playing in the Band".







Liner Notes:

Imagine for a moment that you've been asked to pinpoint, to the day, the absolute creative zenith of the Grateful Dead's career. Could there be a more maddening challenge? There could never be anything approaching consensus on such a question, especially among an audience as large, diverse and opinionated as the Dead Heads. No two people have the same criteria. Everyone's got a favorite era, keyboard player, favorite Garcia guitar, favorite you-name-it. The band had many career peaks and valleys over the years--how could anyone choose? Well, just for the hell of it, let's say that your life depended on it… that you absolutely had to name the peak moment in Grateful Dead history.

One could do a lot worse than to impulsively blurt out: "May 28th, 1977!"

Why May 28th? That was the date that the Grateful Dead came to Hartford, Connecticut to play the final show--the very performance, fortuitously enough, preserved for the ages on this recording--of a marathon Spring Tour that many informed observers consider the single greatest sustained burst of creativity in the band's long performing career. One thing that makes this particular show all the more extraordinary is that it came at the end of such an exhausting and wide-ranging trek--26 shows in 37 days--yet it betrays not a trace of physical or artistic fatigue. This recording reveals the Dead playing with unparalleled energy, wit, passion and power--a band at the very top of its game, even by the high standard of a tour that was characterized by a thrilling consistency of excellence.

The beginning of 1977 found the Grateful Dead at a major career crossroads. The band's ambitious attempt at total autonomy earlier in the decade had taken a toll, both psychically and fiscally. Efforts were being made to pare back to the bare essentials, and to get back in earnest to the primary mission of making music. To that end, the Dead had taken a nearly two-year vacation from touring, mothballed the magnificent but insanely expensive "Wall of Sound" P.A. system and folded their Grateful Dead/Round Records company, an inspirational template for many artist-owned indie labels (though it would eventually relaunch and flourish as the source of the Dead's archival releases). They found a home for their recorded work at Arista, a new label started by former Columbia Records head Clive Davis, and began developing material for a studio album, which they would record in the early months of the year before heading out on Spring Tour. Jerry Garcia would do some additional multitasking during this period, racing to complete the concert documentary The Grateful Dead Movie, which he co-directed and which would have its premiere in New York City just four days after the tour ended. During breaks in the film editing sessions, Garcia would grab his guitar and labor over a major composition he and Robert Hunter were developing for the new record, which would eventually supply the album's title: Terrapin Station.

The Dead, at Davis' urging, had agreed to put their Arista debut in the hands of a producer from outside the band's tight circle of creative and technical allies--the first time they had done so since an exasperated Dave Hassinger fled the studio in the early stages of the Anthem of the Sun sessions in 1967, driven away by the Dead's anarchic, wildly experimental indulgences. Chosen to helm the project was Keith Olsen, a newly hot commodity by virtue of his role as co-producer of Fleetwood Mac's eponymous, career-redefining 1975 album. Olsen's creative choices for the Dead--which included lounge-jazzish saxophones, a full choir and ornate orchestral arrangement by longtime Elton John associate Paul Buckmaster--would become the subject of more than a little controversy, not just among fans and critics but within the band itself. However, once the Dead took the songs written for Terrapin Station out on the road there was no denying their power as live performance pieces. This was especially true of the album's two most musically ambitious works, which would instantly become beloved staples of the Grateful Dead repertoire and remain so for the rest of the band's touring life. The first of these was "Estimated Prophet," Bob Weir and John Barlow's portrait of a particularly California breed of delusional would-be visionary, which managed to be at once uplifting and disturbing thanks to the incantatory lyric and to Weir's ingenious musical setting, a sinuous Reggae-flavored groove knocked beautifully off-kilter by a 7/4 time signature. The second major new piece, which took up the entire second side of the LP, was utterly unlike anything the Dead had attempted before: the epic, allegorical "Terrapin Station" suite--as felicitous a marriage of music and storytelling as was ever accomplished by Jerry Garcia and Robert Hunter in a the course of their long and fruitful collaboration. While "Terrapin," in its studio incarnation, struck many listeners as a little too… well… tasteful, it became a whole other kind of beast when let loose in front of a live audience, driven by power guitar hooks, thunderous percussion and bone-rattling bass licks.

As the new album would not be released for another couple of months (and since live show recordings didn't get circulated with anywhere near the speed that they do today, in this age of MP3 files delivered to your desktop before the band gets back to the hotel), these new pieces were still unknown to most of the Dead Heads attending shows on this Spring Tour, and their impact upon those unsuspecting ears was immediate and profound. Unlike many of the Dead's earlier works, which started their performance histories as bare sketches and were developed by trial and error into full-bodied songs on the road, the Terrapin material had been nurtured in private, during an intensive rehearsal process as the band prepared to make the album. As a result, the new tunes were first apprehended by live audiences as surprisingly mature works, and they would get even better with time. As compositionally intricate as anything in the Dead's book, these songs would also quickly take their place among the band's most satisfying points of departure for collective improvisation.

By the time the tour reached its triumphant finale in Hartford on May 28th, it was readily apparent that the new songs--including, in addition to "Terrapin" and "Estimated Prophet," the Phil Lesh/Peter Monk rocker "Passenger" and Bob Weir's red-hot reinvention of the Rev. Gary Davis gospel-blues classic "Samson and Delilah"--could proudly take their places with such longstanding pillars of the Dead cannon as "Bertha," "Sugaree," "Jack Straw," "Candyman," "Playing in the Band," "One More Saturday Night" and other standbys heard on this recording.

On this spring night in New England the Grateful Dead, as fully and faithfully as they ever did in their long and glorious history, heeded the clarion call in Robert Hunter's lyric to "Terrapin":

"Inspiration, move me brightly."

--Gary Lambert


















https://www.allaboutjazz.com/grateful-dead-to-terrapin-hartford-77-by-doug-collette.php

Well before the near 20-minute version of "Sugaree" included here is over, any thoughts of hype surrounding the Grateful Dead archive camp around this release has dissipated. The sense of direction and collective eye for detail that the band displays on the track permeates the whole of To Terrapin - Hartford '77.
Weaving in and out of the alternate vocal and instrumental improvisation sections on "Sugaree," one of guitarist/vocalist Jerry Garcia and lyricist Robert Hunter's most famous collaborations, illustrates how the Dead were at the absolute peak of their powers in the mid-to late 1970s. Rhythm guitarist Bob Weir never contributed more to the navigation of the group when jamming, and while keyboardist Keith Godchaux and spouse Donna Jean on vocals were to leave the group within a year, their subtle contributions add considerably to the sound of the core group: the piano is as bright as the harmonies.

Naturally, as always, Garcia's contribution is the benchmark of the level of Grateful Dead performance. His engagement is obvious in his vocal on the opener "Bertha," but no less so than when he solos in his inimitably relaxed manner on "Good Lovin.'" He takes notes at angles as he approaches and departs. And in contrast to his gallant but frail presence in the group's later years, he sounds the essence of strength, albeit a vulnerable one, in the slow-motion ballet that is "Row Jimmy."

The stars were all aligned in favor of the Dead at this point in their career, if only precariously. The self-imposed hiatus of two years prior had allowed them to streamline their approach and attitude, to devote their collective energy to their music rather than those pursuits indirectly related to it such as the (in)famous "wall of sound" system. As with the operation of their own record label, that natural outgrowth of devotion of impeccable audience audio had drained their resources financially and otherwise, as was eventually the case with The Grateful Dead Movie (at the time of this May 1977 concert days away from premiere).

But the group had reassimilated drummer Mickey Hart into the band, so that his partnership with founding percussionist Bill Kreutzmann was a tremendous asset on powerhouse rockers like "New Minglewood Blues." More significantly, the Dead had a clutch of new material to intersperse with the likes of "Wharf Rat" and "Playing In The Band," self-created standards since the beginning of the decade. Bassist Phil Lesh's "Passenger" is an aggressive rocker that plays off sharply with "Candyman" from American Beauty (Warner Bros., 1970) and "Brown Eyed Woman" from Europe '72 (Warner Bros., 1972). Weir's collaboration with his own wordsmith John Barlow was also peaking with the likes of "Estimated Prophet." The character depiction in the words is as vivid as the unusual time signature that offered such fodder for improvisation; here it's the first extended departure into deep space.

A reworking of the traditional "Samson and Delilah," spearheaded by Weir as his prominence grew on the frontline (prior to his predilection to oversing), matched the highs-spirits injected into the proceedings via Chuck Berry's "The Promised Land." In a live setting, "Terrapin Station," the centerpiece the studio album the group had been laboring over prior to this marathon tour of 26 shows, always came off superior to the recorded version. Without strings but complete with drum interlude excised from the take preserved on the album, Garcia's regal chord changes, navigated so gracefully by the whole group, gave life to Hunter's slightly precious lyrics and kept the story in its proper perspective.

It's a further tribute to the Dead's clarity of group mind at this time that a total of just less than thirteen minutes suffices to tell this tale. The discipline necessary in the studio informs the band's immersion in spontaneity, thereby preventing purposeless jams or miscues within any more structured pieces like "Tennessee Jed."

Jeffrey Norman ensures the clarity of Betty Cantor-Jackson's soundboard recording remains preserved and the entire May 28th performance is collected on three CDs packaged in eye-catching graphics that function almost like good animation: the more you look at it the more you see. Reading Gary Lambert's effusive liner notes could provoke some skepticism about what's to be heard within, but that disappears whenever (or wherever) you start listening.

http://www.musicbox-online.com/review/07142009/terrapin-hartford.html#axzz4hvuaEcic

There simply is no denying the fact that as the Grateful Dead neared the end of each of its seasonal sojourns, it routinely had a tendency to give tepid performances that killed time more than anything else. Even in its heyday, when the group bestowed everything it had to its fans, it typically was quite weary when it was wrapping up an extended series of shows. In 1977, however, something different was afoot. On April 22, the Grateful Dead had settled into the Spectrum in Philadelphia. Five weeks later, on May 28, after winding its way along the eastern seaboard and also visiting portions of the Midwest and the Deep South, the band descended upon the Hartford Civic Center for the tour-ending concert memorialized on To Terrapin: Hartford ’77. Miraculously, the ensemble sounded as energized as ever, too.

Save for the perfunctory rendition of U.S. Blues that brought the Hartford concert to its conclusion, the rest of the material featured on To Terrapin: Hartford ’77 is indisputably first-rate, even amongst the other terrific concerts that the Grateful Dead delivered throughout the spring of 1977. For the most part, the songs sung by Bob Weir injected a jolt of energy into the proceedings, as he rummaged through the hard-edged rock songs in his repertoire. Covers of The Olympics’ Good Lovin’ and Chuck Berry’s Promised Land were blazing blasts of pure, unadulterated joy, while Samson and Delilah was fueled as much by Jerry Garcia’s assertive guitar playing as it was by Weir’s exuberant vocals. Even the tricky time signatures of Estimated Prophet and Playing in the Band were navigated not just skillfully but also forcefully by the collective.

Not surprisingly, considering how often they played these same roles, Garcia’s laid-back presence provided the perfect counterpoint to Weir’s exhilarating enthusiasm. Taking the lead, Garcia stretched songs like Brown-Eyed Women, Row Jimmy, and Tennessee Jed to their limit. Threading his silvery guitar solos through the interlocking ebb and flow of the rhythmic cadences, he underscored and accented the emotional centers of the compositions. Beginning with American Beauty and Workingman’s Dead, Garcia had begun to refine his vocal approach. Around the time of Europe ’72 through the Grateful Dead’s spring tour in 1977, he increasingly found the sense of maturity that he had been seeking to embrace. Throughout To Terrapin: Hartford ’77, he delivers the lyrics as if his very life depended upon getting them just right.

If any song could have been considered a bellwether for the Grateful Dead during its spring sojourn in 1977, it was Sugaree. The rendition featured on Terrapin: Hartford ’77 surely ranks among the finest versions that the outfit ever managed to perform. Although it runs roughly 19 minutes in length, the tune never seems to meander. It lingers in places for a while, as the band fully explores its surroundings, but it never overstays its welcome. During this era of the Grateful Dead’s history, Garcia, in particular, was completely connected to Sugaree, and he habitually made a finite number of note sequences and chord patterns feel as vast and open as the cosmos. There was a genuine ache to his guitar solos, but as Sugaree progressed, he shrugged off his gentle sorrow and transformed the composition into a tumultuous firestorm of fury.

Quite frequently, the Grateful Dead’s creative flair frequently would wax and wane over the course of a performance. To Terrapin: Hartford ’77, however, bears proof that occasionally the band remained remarkably consistent for an entire show. Neither peaks nor valleys were present during the concert; instead, on song after song, the Grateful Dead remained focused on and committed to the task at hand. There are numerous entries from 1977 in the outfit’s ever-expanding series of archival releases. To Terrapin: Hartford ’77 not only outflanks them all, but it also just might speak to the unconverted. starstarstarstarstar


Read more: Grateful Dead - To Terrapin: Hartford '77 (Album Review) http://www.musicbox-online.com/review/07142009/terrapin-hartford.html#ixzz4hvuizX6u






Billboard issue dated this day May 28, 1977


Friday, October 30, 2015

My 11 Favorite Unusual Dead Medleys I Saw



Tell me what you think, these all occurred in my first five years, I've attached the Music Files


  1. St. Stephen->Eyes of The World->Let It Grow  (6-9-76)
  2. Wharf Rat->Comes A Time (6-12-76)
  3. Sugar Magnolia->US Blues->Sunshine Daydream (6-12-76)
  4. Mississippi Half Step->Big River (5-7-77)
  5. Bertha->Good Lovin'->Sugaree (5-28-77)
  6. He's Gone->Not Fade Away->Truckin' (9-3-77)
  7. I Need A Miracle->Shakedown Street (1-17-79)
  8. Dancing In the Streets>Franklin's Tower (10-27-79)
  9. Playing In the Band->Uncle John's Band->Drums->Not fade Away->The Wheel->Uncle John's Band->Playing In the Band (9-6-80)
  10. Dark Star->Bertha->Good Lovin (12-31-81)
  11. Not Fade Away->Deal>Sunshine Daydream (12-31-82)


Take A Listen


Here are 11 I didn't see, much wish I did


  1. Dark Star->The Other One->Dark Star->Uncle John's Band Jam->Dark Star->St Stephen->The Eleven->Caution->The Main Ten->Feedback->We Bid You Goodnight (11-8-69)
  2. Here Comes Sunshine->China Cat Sunflower>I Know You Rider (2-17-73)
  3. Playing In the Band->supplication_>Playing In the Band (set one, 9-24-76)
  4. Let It Grow->Goin' Down The Road Feeling Bad (9-28-76)
  5. Dancing In The Streets->Wharf Rat->Dancing In the Streets (set one!, 10-10-76)
  6. Eyes Of The World->Wharf Rat->Terrapin Inspiration->Morning Dew (5-22-77)
  7. Playing In The Band -> Hully Gully > The Wheel [6:06] > Samson And Delilah->Gloria  > Turn On Your Lovelight  > Goin' Down The Road Feeling Bad > Playing In The Band (10-16-81)
  8. The Music Never Stopped>Sugaree>Music Never Stopped (8-7-82)
  9. Deal -> Drums->Gimme Some Lovin->All Along The Watchtower->The Wheel (6-20-87)
  10. Help On The Way->Slipknot!->Fire on The Mountain (9-20-91)
  11. Cassidy->Uncle John's Band->Cassidy (5-27-93, thanks David Gans!)
I'll Post the Music Soon. Boston 77 is your songs today

Also this fun one 6-20-1991









Sunday, October 11, 2015

Complete List of My Playing in the Band Sandwiches (with Links)

I counted this morning and I consumed exactly one dozen (and one!) Playing in the Band sandwiches.


From Michael Clem






I have also attached a COMPLETE list of the 117 Playing Sandwiches. Go back and listen to Fall 1973's ones with the Half Step->Big River in the middle, they are fun too  Some other good hints are here  https://archive.org/post/302040/is-there-a-dead-sandwich-any-tastier-than-this-one  and
http://headyversion.com/song/207/grateful-dead/playin-in-the-band/


1. Colt Park August 2, 1976: This one had a very long Playing and long Playing reprise, interesting jam into GDTRFB

Playin' in the Band
Wharf Rat
drums
Goin' Down the Road Feelin' Bad
Playin' in the Band
https://www.dropbox.com/sh/x7vsqbxr52apgb3/AABRwWzGXcXJHCtMWy8sKDzva?dl=0


2. Hartford Civic center May 28, 1977: Famous commercial release with Estimated->PITB start
Playin' in the Band
Terrapin Station
Not Fade Away
Wharf Rat
Playin' in the Band
https://www.dropbox.com/sh/6wisoufleimu8qg/AACh5VCra9BbKIXihUPoqki-a?dl=0

3. Colgate University, November 4, 1977: A Dave's Picks with a long varied selection of tunes
Playin' in the Band
Eyes of the World
Estimated Prophet
The Other One
drums
Iko Iko
Stella Blue
Playin' in the Band
https://www.dropbox.com/sh/c6fwwfrkkzkzxbb/AACyoM4Knt6OgZ0z-DRspKOpa?dl=0

4. Boston Music Hall, November 13, 1978: Not well known with no SBD yet surfaced  Only one my Mom saw
Playin' in the Band
drums
Black Peter
Playin' in the Band
https://www.dropbox.com/sh/jqoy70nb7zwl4te/AAA9-5_x-dCATM6NfcltZ8_ca?dl=0

5. Springfield Civic Center, January 15, 1979:  Very long drums/space in the middle followed by a rare Casey Jones

Playin' in the Band
drums
Playin' in the Band
https://www.dropbox.com/sh/3yoc9wxnxagy0xd/AADHW2UIGTmmQk3dK9fHG3m6a?dl=0

6. Charlotte, May 3, 1979:  First Brent, my first Brent show too

Playing In The Band
drums
Black Peter
Not Fade Away
Playing In The Band
https://www.dropbox.com/sh/mlfmeqycqxbwv76/AAAFyfQ83Mu3uxArrYX-5Pfea?dl=0

7. Penn State University, May 8, 1979:  Cool TOO and China Doll
Playin' in the Band
drums
The Other One
China Doll
Playin' in the Band
https://www.dropbox.com/sh/eafqr1sx0z89dpf/AAAnyK3BbGqdZHyG_2j1XKoYa?dl=0

8. Lewiston, September 6, 1980:  Only Playing->UJB and UJB_>Playing without Dew in the middle
Playin' in the Band
Uncle John's Band
drums
Not Fade Away
The Wheel
Uncle John's Band
Playin' in the Band
https://www.dropbox.com/sh/9psmj2xkmr0z6ba/AADUI3y_VJyoOb9fQi6No0Ufa?dl=0

9. Oakland, December 27, 1981: Rarely heard, but my first Bay Area sandwich
Playin' in the Band
drums
The Wheel
Playin' in the Band
https://www.dropbox.com/sh/l6xghnqp7l16pip/AABOChRLC_eXSWPLUM8AidGga?dl=0

10. Oakland, December 31, 1981: Only four days later than #8, this was followed by NFA GDTRFB Dew and Dark Star

Playin' in the Band
Terrapin Station
Playin' in the Band
https://www.dropbox.com/sh/vm72ggokykhnnjw/AABmzzqdPpDTjNTACvB3oGZNa?dl=0

11. San Francisco, February 16, 1982: When Jill meet Phil show; that's why they always eat sandwiches on their anniversary

Playin' in the Band
Terrapin Station
drums
Truckin'
Nobody's Jam
Black Peter
Playin' in the Band
https://www.dropbox.com/sh/o3ufq90ktfg6isv/AAA9EObR-Fa8INR5lEI0oSrra?dl=0

12. Berkeley, May 21, 1982: The 30 minutes of Playing into Uncle John's Band -> Jam are sublime
Playin' in the Band
Uncle John's Band
drums
The Wheel
Playin' in the Band
https://www.dropbox.com/sh/3ohmrge2oysy6ks/AAACjLOVffEv73mDml870ag9a?dl=0

13. Berkeley, June 20, 1986: Only Comes A Time sandwich for me
Playin' in the Band
Comes A Time
Playin' in the Band
https://www.dropbox.com/sh/19x60o7hgi5gh14/AAAkd5S2aUjZdroYnqKOhOxCa?dl=0

The mp3 link is https://www.amazon.com/clouddrive/share/dKmUoWZ448nPjqC2TcKipcpk0Yt8h7L12OqMd7qCoXo?ref_=cd_share_link_copy




List of the 118 Playing Sandwiches, 1973-1995 (thanks deadlists.com)

10/18/1972 St Louis
Playing In The Band [15:50] > Drums [2:45] > Dark Star [28:25] > Morning Dew [11:07] > Playing In The Band [5:13]

10/21/1973 Omaha Playing In The Band [10:19] > Mississippi Half-Step Uptown Toodeloo [7:47] > Big River [4:56] > Playing In The Band [9:57]

10/27/1973 Indianapolis Playing In The Band [10:20] > Mississippi Half-Step Uptown Toodeloo [7:35] > Big River [4:#17] > Playing In The Band [8:38]

11/1/1973 Evanston Morning Dew [13:35] > Playing In The Band [14:58] > Uncle John's Band [8:#09] > Playing In The Band [6:36]

11/10/1973 Winterland Playing In The Band [12:08] > Uncle John's Band [9:26] > Morning Dew [12:34] > Uncle John's Band [2:18] > Playing In The Band [6:48]

11/17/1973 UCLA Playing In The Band [15:12] > Uncle John's Band [6:#14] > Morning Dew [13:48] > Uncle John's Band [1:58] > Playing In The Band [11:09]

11/21/1973 Denver Mississippi Half-Step Uptown Toodeloo [7:35] > Playing In The Band [11:54] > El Paso [3:42] > Playing In The Band [1:00] > Wharf Rat Jam [0:05] > Dark Star Jam [3:25] > Wharf Rat [7:52] > Playing In The Band [13:10] > Morning Dew [12:05]

12/1/1973 Boston Playing In The Band [13:42] > Uncle John's Band [9:16] > Playing In The Band [6:44]

3/23/1974 Cow Palace Playing In The Band [0:52] ; Playing In The Band [12:02] > Uncle John's Band [9:01] > Morning Dew [12:16] > Uncle John's Band [2:50] > Playing In The Band [6:37]

6/8/1974 Oakland Playing In The Band [24:02] > Wharf Rat [10:16] > Playing In The Band [5:08]

6/30/1974 Springfield Playing In The Band [19:07] > Uncle John's Band [8:54] > Playing In The Band [6:07]

7/21/1974 Hollywood Playing In The Band [20:53] > Wharf Rat [8:54] > Truckin' [9:22] > Nobody's Fault But Mine Jam [1:11] > Playing In The Band [7:07] ;

8/6/1974 Jersey City Playing In The Band [22:52] > Scarlet Begonias [8:04] > Playing In The Band [5:43]

10/20/1974 Winterland Playing In The Band [13:42] > Drums [4:20] > Not Fade Away [14:09] > The Other One Jam > Drums [5:17] > The Other One [12:18] > Wharf Rat [9:06] > Playing In The Band [6:38]

6/22/1976 Philly Playing In The Band [8:55] (2) > Space Jam [14:07] > Drums [2:30] (3) > The Wheel [5:16] (4) > Playing In The Band Reprise [2:58]

6/26/1976 Chicago Playing In The Band [15:06] > Saint Stephen [9:46] > The Wheel [5:37] > Playing In The Band Reprise [2:42]

6/29/1976 Chicago Playing In The Band [9:54] (1) > Space Jam [5:49] > The Wheel [5:10] (2) > Jam [8:#49] (3) > Playing In The Band Reprise [2:30]

7/14/1976 Orpheum Playing In The Band [10:45] > Drums [3:26] > The Wheel [6:13] > Space Jam [13:55] (1) > Playing In The Band Reprise [2:28]

7/16/1976 Orpheum Playing In The Band [3:05] > Stronger Than Dirt Or Milkin' The Turkey [12:53] > Cosmic Charlie [8:04] ; Samson And Delilah [6:53] ; Spanish Jam [9:12] > Drums [3:50] > The Wheel [6:47] > Space Jam [3:24] > Playing In The Band

8/2/1976 Colt Park Playing In The Band ; Wharf Rat ; Drums ; Goin' Down The Road Feeling Bad ; Playing In The Band Reprise

9/24/1976 William And Mary Playing In The Band [11:44] (1) > Supplication [3:56] > Playing In The Band Reprise

9/28/1976 Syracuse Playing In The Band [12:00] (2) > The Wheel [6:58] > Samson And Delilah [9:21] (3) ; Jam [4:39] > Comes A Time [8:13] > Drums [5:#48] > Eyes Of The World [8:46] > Jam [5:04] > Dancing In The Street [10:48] ; Playing In The Band Reprise [#4:04]

10/10/1976 Oakland Playing In The Band [10:56] (2) > Drums [2:15] > The Wheel [5:24] > Space Jam [3:49] > Drums [1:10] > The Other One [9:#37] > Stella Blue [12:00] > Jam [2:35] > Playing In The Band Reprise [3:03]

2/26/1977 San bernardino Playing In The Band [14:46] > The Wheel [4:42] > Playing In The Band [4:46]

3/19/1977 Winterland Terrapin Station [10:20] > Playing In The Band [12:32] > Samson And Delilah [7:08] > Playing In The Band [11:18) First Set xoxox

4/25/1977 Passaic Terrapin Station [9:39] > Playing In The Band [9:29] > Drums [4:06] > Wharf Rat [10:34] > Playing In The Band [10:05]

5/1/1977 Palladium Playing In The Band [10:53] > Drums [7:15] > The Other One [7:35] > Comes A Time [11:48] > Playing In The Band [7:25]

5/4/1977 Palladium Terrapin Station [9:40] > Playing In The Band [18:#12] > Comes A Time [10:52] > Playing In The Band [8:06]

5/12/1977 Chicago Terrapin Station [10:15] > Playing In The Band [9:02] > Drums [4:17] > Not Fade Away [13:58] > Comes A Time [10:28] > Playing In The Band [6:37]

5/17/1977 Tuscaloosa Terrapin Station [11:23] > Playing In The Band [12:21] > Drums [5:15] > Wharf Rat [10:28] > Playing In The Band [6:57]

5/19/1977 Atlanta Terrapin Station [11:56] > Playing In The Band [9:21] > Uncle John's Band (1) [12:03] > Drums [6:03] > The Wheel [7:13] > China Doll [8:54] > Playing In The Band [9:57]

5/28/1977 Hartford Estimated Prophet [11:37] > Playing In The Band [11:30] > Terrapin Station [11:17] > Drums [1:26] > Not Fade Away [15:32] > Wharf Rat [10:20] > Playing In The Band [6:24] ; One More Saturday Night [4:50]

6/4/1977 LA Terrapin Station [11:05] > Playing In The Band [9:40] > Franklin's Tower [10:34] > Space [3:34] > China Doll [6:09] > Not Fade Away [11:18] > Playing In The Band [3:31#]

10/14/1977 Houston Playing In The Band [16:#56] > Drums [3:35] > The Wheel [7:15] > Wharf Rat [13:49] > Around And Around [8:23] Encore Brokedown Palace [5:51] > Playing In The Band [4:13#]

10/30/1977 Bloomington Playing In The Band [9:24] > The Other One [12:15] > Drums [3:37] > The Wheel [7:37] > Wharf Rat [11:38] > Playing In The Band [6:27]

11/4/1977 Colgate Playing In The Band [12:29] > Eyes Of The World [12:49] > Estimated Prophet [11:03] > The Other One [4:21] > Drums [3:#43] > Iko Iko [10:09] > Stella Blue [11:41] > Playing In The Band [6:35]

12/27/1977 Winterland Playing In The Band [16:15] > China Cat Sunflower [5:35] > I Know You Rider [5:18] > China Doll [7:32] > Space [1:43] > Drums [3:58] > Not Fade Away [8:43] > Playing In The Band [4:20]

1/11/1978 Shrine Terrapin Station [10:57] > Playing In The Band [14:17] > Drums [2:58] > Space [3:54] > Saint Stephen [9:25] > Not Fade Away [9:05] > Playing In The Band [7:31]

2/3/1978 Madison Estimated Prophet [12:34] > Eyes Of The World [15:08] > Playing In The Band [25:31] > The Wheel [5:20] > Playing In The Band [9:10]

4/7/1978 Pembroke Pines Terrapin Station [11:11] > Playing In The Band [9:43] > Drums [11:#08] > Not Fade Away [10:28] > Black Peter [10:22] > Playing In The Band [4:37]

4/21/1978 Lexington Playing In The Band [16:07] > Drums [14:#07] > Jam (1) [5:47] > Stella Blue [11:54] ; Truckin'[9:27] > Playing In The Band [6:01]

11/13/1978 Boston Playing In The Band [11:25] > Drums [8:01] > Space [1:30] > Black Peter [9:51] > Playing In The Band [3:59] > Around And Around [8:13]

11/20/1978 Cleveland Playing In The Band [9:56] > Shakedown Street [12:02] > If I Had The World To Give [8:16] > Playing In The Band [6:44] > Around And Around [8:59]

11/23/1978 Landover Terrapin Station [12:12] > Playing In The Band [10:02] > Drums [7:53] > Space [5:36] > Shakedown Street [8:40] > Playing In The Band [5:41]

12/13/1978 Tampa Playing In The Band[13:25] > Drums [8:03] > Space [2:58#] > Shakedown Street [11:30] > Black Peter [10:59] > Playing In The Band [4:03] > Sugar Magnolia [8:11]

12/15/1978 Birmingham Terrapin Station [12:42] > Playing In The Band [10:29] > Drums [7:#50] > Space [3:19] > Stella Blue [11:22] > Truckin' [8:44] > Playing In The Band [5:03]

12/21/1978 Houston Terrapin Station [13:35] > Playing In The Band [14:#30] > Drums [10:20] > Space [2:42] > Black Peter [13:42] > Playing In The Band [0:57#] > Sugar Magnolia

1/15/1979 Springfield Terrapin Station [14:26] > Playing In The Band [18:18] > Drums [7:10] > Jam [6:05] > Playing In The Band [7:54] > Casey Jones [5:51]

2/17/1979 Oakland Terrapin Station [12:#01] > Playing In The Band [15:13] > Drums [6:37#] > The Wheel [6:42] ; Shakedown Street [12:19] > Playing In The Band [8:14] > Sugar Magnolia [9:10]

5/3/1979 Charlotte Playing In The Band [17:59] > Drums [12:48] > Space [2:32] > Black Peter [9:25] > Not Fade Away [9:54] > Playing In The Band [6:36]

5/8/1979 Penn State Terrapin Station [12:50] > Playing In The Band [12:24] > Drums [12:12] > Space [7:04] > The Other One [11:28] > China Doll [6:46] > Playing In The Band [5:08] > Good Lovin' [6:49]

10/24/1979 Springfield Terrapin Station [12:#50] > Playing In The Band [10:28] > Drums [7:08] > Space [5:03] > Wharf Rat [10:19] > Playing In The Band [4:47]

5/7/1980 Cornell Shakedown Street [13:07] > Bertha [6:36] > Playing In The Band [9:19] >Terrapin Station [13:00] > Drums [1:29#] > Space [2:09] > Saint Of Circumstance [5:53] > Black Peter [9:19] > Playing In The Band [3:26] > Good Lovin' [7:28]

8/19/1980 Chicago Estimated Prophet [10:09] > Eyes Of The World [8:20] > Space [5:20] > Drums [13:21] > Space [1:08] > Playing In The Band [9:18] > Comes A Time [10:00] > Playing In The Band [5:56] > Around And Around [4:12] > Alabama Getaway [4:42]

9/6/1980 Lewiston Playing In The Band [9:40] > Uncle John's Band[6:44] > Space [1:04] > Drums [13:29] > Space [3:26] > Not Fade Away [6:35] > The Wheel [5:18] > Uncle John's Band [3:14] > Playing In The Band [3:03] >Sugar Magnolia [9:12]

10/3/1980 Warfield Playing In The Band > Drums > Space > The Wheel > Playing In The Band > Black Peter > Good Lovin'

10/14/1980 Warfield Estimated Prophet [9:52] > Terrapin Station [12:10] > Playing In The Band [7:14] > Drums (1) [10:10] > Space [5:33] > I Need A Miracle [3:44] > Uncle John's Band [6:43] > Morning Dew [10:02] > Playing In The Band [2:46] > Good Lovin'[8:05]

3/21/1981 Cleveland Playing In The Band [12:36] > China Doll [5:52]> Playing In The Band Jam [3:37] > Drums [12:58] > Space [8:21] > Playing In The Band [5:22] > The Wheel [7:17] > Around And Around [4:02] > Johnny B. Goode [4:43]

5/11/1981 New Haven Playing In The Band [12:55] > Drums [11:#02] > Space [5:23] > The Wheel [4:27] > Playing In The Band [6:02] > China Doll [6:06] > Around And Around [4:10] > Good Lovin' [8:05]

7/10/1981 St Paul Estimated Prophet [10:56] > Eyes Of The World [11:52] > Space [3:16] > Drums [11:45] > Space [5:53] > Uncle John's Band [7:42] > Playing In The Band [6:54] > China Doll [5:42] > Uncle John's Band [1:09] > Playing In The Band [2:37] > Around And Around [3:55] > Good Lovin' [4:25#]

8/14/1981 Seattle Playing In The Band [8:52] > China Cat Sunflower [5:19] > I Know You Rider [4:41] > Space [3:04] > Drums [3:#47] > Space [8:09] > Playing In The Band [2:51] > Wharf Rat [8:41] > I Need A Miracle [3:28] > Goin' Down The Road Feeling Bad [5:58] > Johnny B. Goode [4:28]

8/31/1981 Vegas Playing In The Band [11:29] > Drums [7:57] > Space [8:34] > Never Trust A Woman [7:17] > Space [0:46] > Morning Dew [12:09] > Playing In The Band [3:17] > Around And Around [3:57] > Johnny B. Goode [4:14]

9/26/1981 Buffalo Playing In The Band [10:16] > Bertha [6:51] > Estimated Prophet [10:16]> Goin' Down the Road Feeling Bad [6:59] > Drums > Space [2:38] > Not Fade Away [5:50] > Morning Dew [10:11] > Playing In The Band [2:44] > One More Saturday Night [4:25]

10/16/1981 Amsterdam Playing In The Band [11:28] > Hully Gully [3:22] > The Wheel [6:06] > Samson And Delilah [7:00] ; Gloria [7:37] > Turn On Your Lovelight [6:09] > Goin' Down The Road Feeling Bad [5:35] > Playing In The Band [4:00] > Black Peter [9:28] > Sugar Magnolia [9:13]

12/5/1981 Indianapolis Shakedown Street [12:08] > Lost Sailor [6:53] > Saint Of Circumstance [6:21] ; Big Railroad Blues [4:27] > Playing In The Band [9:58] > Drums [2:44#] > Space [4:56] > The Wheel [7:16] > Playing In The Band [4:46] > Stella Blue [8:54] > Sugar Magnolia [8:50]

12/27/1981 Oakland Playing In The Band [16:30] > Drums [6:#27] > Space [9:58] > The Wheel [7:12] > Playing In The Band [4:33] > Wharf Rat [9:04] > Sugar Magnolia [9:36]

12/31/1981 Oakland Playing In The Band [14:49] > Terrapin Station [12:24]> Playing In The Band [4:28] > Drums [9:55] > Space [7:40] > The Other One [11:09] > Not Fade Away [7:28] > Goin' Down The Road Feeling Bad [7:21] > Morning Dew [10:44]

2/16/1982 Warfield China Cat Sunflower > I Know You Rider > Playing In The Band > Terrapin Station > Drums > Space > Truckin' > Black Peter > Playing In The Band > Around And Around > Good Lovin'

4/5/1982 Philly Bertha [6:37] > Playing In The Band [11:54] > Ship Of Fools [7:44] > Playing In The Band Jam [9:50] > Drums [6:59] > Space [3:49] > The Wheel [6:04] > Playing In The Band [4:26] > Wharf Rat [9:42] > Good Lovin' [8:26]

4/8/1982 Syracuse Playing In The Band [10:29] > Uncle John's Band [8:05] > Estimated Prophet [11:45] > Eyes Of The World [7:21] > Drums [3:48#] > Space [5:21] > Not Fade Away [8:#28] > Black Peter [9:24] > Playing In The Band [4:08] > Johnny B. Goode [4:43]

4/14/1982 Glen Falls Playing In The Band [15:40] > Drums [7:52] > Space [7:05] > The Wheel [6:07] > I Need A Miracle [3:58] > Black Peter [8:26] > Playing In The Band [4:09] > Johnny B. Goode [4:11]

4/18/1982 Hartford Playing In The Band > Eyes Of The World > Drums > Space (1) > The Other One > Black Peter > Sugar Magnolia > Playing In The Band > Sunshine Daydream

5/21/1982 Berkeley Playing In The Band > Uncle John's Band > Drums > Space > The Wheel > Playing In The Band > Black Peter > Sugar Magnolia

7/17/1982 Ventura Playing In The Band [11:15] > China Cat Sunflower [7:32] > I Know You Rider [5:13] > Estimated Prophet [9:47] > Jam (1) [4:43] > Drums [5:47#] > Space [4:46] > The Wheel [5:23] > Playing In The Band [4:12] > Around And Around [3:42] > One More Saturday Night [4:12]

7/27/1982 Red Rocks Playing In The Band [10:14] > Terrapin Station [11:50] > Playing In The Band Jam [5:50] > Drums [6:43#] > Space [4:58] > The Wheel [5:33] > The Other One [8:11] > Stella Blue [8:58] > Playing In The Band [3:57]

8/1/1982 Oklahoma City Playing In The Band [13:28] > Iko Iko [10:17] > Space [1:41] > Lost Sailor [6:29] > Saint Of Circumstance [8:55] > Drums > Space > The Wheel > Playing In The Band > Black Peter > Around And Around > Johnny B. Goode

8/7/1982 East Troy Playing In The Band [12:01] > Drums [5:30#] > Space [6:17] > The Wheel [5:47] > Playing In The Band [4:11] > Morning Dew [10:15] > One More Saturday Night [5:01]

8/27/1982 Veneta Far From Me [3:34] > Playing In The Band [11:03] > Drums > Space [5:56] > The Wheel [5:50] > The Other One [8:04] > Truckin' [6:11] > Black Peter [8:23] > Playing In The Band [3:18] > One More Saturday Night [4:33]

9/15/1982 Landover Playing In The Band [8:41] > Crazy Fingers [9:33] > Space [1:33] > Little Red Rooster [7:49] ; Dupree's Diamond Blues [6:08] ; Beat It On Down The Line [2:57] ; It Must Have Been The Roses [5:20] > Playing In The Band Jam [2:51] > Let It Grow [11:21] > Keep Your Day Job [4:58]

3/30/1983 Warfield Playing In The Band[13:37] > Drums > Space [10:50] > Man Smart (Woman Smarter) [8:12] > Space [0:40] > China Doll [5:09] > Playing In The Band [4:25] > Sugar Magnolia [9:45]

4/10/1983 Morgantown Uncle John's Band[8:29] > Playing In The Band[10:10] > Drums [6:40] > Space [5:33] > The Wheel [5:41] > Playing In The Band[4:29] > China Doll [4:52] > Sugar Magnolia [8:07]

4/17/1983 East Rutherford Playing In The Band[15:32#] > Drums > Space [11:57] > Love The One You're With (1) [6:37] > The Wheel (2) [5:28] > Playing In The Band(2) [4:05] > Throwing Stones (2) [9:45] > Not Fade Away (2) [7:27#]

4/25/1983 Philly Playing In The Band[12:47] > Terrapin Station [12:34] > Drums [4:#46] > Space [11:29] > The Wheel [6:27] > Playing In The Band[3:34] > Goin' Down The Road Feeling Bad[7:35] > Sugar Magnolia [9:05]

5/14/1983 Greek Playing In The Band[12:32] > China Doll [4:32] > Jam (1) [6:16] > Drums [5:12] > Space [7:17] > The Wheel [5:06] > Playing In The Band[5:46] > Morning Dew [9:55] > Sugar Magnolia [10:26]

6/18/1983 Saratoga Springs Playing In The Band[18:14] > Drums > Space [#6:24] > The Wheel [6:36] > Playing In The Band[3:31] > Morning Dew [11:15] ; Throwing Stones [8:22#] > Not Fade Away > Touch Of Grey

9/6/1983 Red Rocks Playing In The Band[16:47] > Drums [4:24#] > Space [#6:31] > Uncle John's Band[11:25] > Playing In The Band[2:52] > Throwing Stones [8:36] > Not Fade Away [5:38#]

5/6/1984 Eugene Playing In The Band > China Doll > Drums > Space > Truckin' > Spoonful > Black Peter > Around And Around > Playing In The Band

6/9/1984 Sacramento Playing In The Band [12:16] > China Doll [5:56] > Jam [6:19] > Drums [7:#00] > Space [7:#34] > Playing In The Band [5:07] > Black Peter [8:58] > Sugar Magnolia (1) [5:10] ; One More Saturday Night [4:25]

6/14/1984 Red Rocks Playing In The Band [9:42] > Dear Mr. Fantasy [6:31] > Drums [8:45#] > Space [#3:04] > Playing In The Band [6:31] > Black Peter [7:39] > Throwing Stones [8:08] > Not Fade Away [5:19]

6/30/1984 Indianapolis Shakedown Street [14:46] > Playing In The Band [12:58] > Terrapin Station [14:08] > Drums [8:#46] > Space [5:10] > Playing In The Band [4:04] ; Truckin' [7:17] > Spoonful [2:58] > Stella Blue [8:10] > Goin' Down The Road Feeling Bad [6:35] > One More Saturday Night [4:17]

10/15/1984 Hartford Playing In The Band [20:47] > Drums > Space [5:19] > The Wheel [4:56] > Wharf Rat [8:23] > Playing In The Band [2:30] > Sugar Magnolia [7:51]

10/18/1984 East Rutherford Playing In The Band [8:25] > Uncle John's Band [11:12] > Space [1:31] > China Doll [5:25] > Space [2:34] > Drums [5:#15] > Space [6:07] > Playing In The Band [3:48] > Throwing Stones [8:37] > Not Fade Away [7:19] > Drums [0:51]

3/31/1985 Portland ME Inverted Playing in the Band

4/28/1985 Stanford Hell In A Bucket > Crazy Fingers > Playing In The Band > China Doll > Playing In The Band > Drums > Space > Playing In The Band > Wharf Rat > Throwing Stones > Not Fade Away

6/25/1985 Cleveland Playing In The Band > Drums > Space > The Wheel > Playing In The Band > China Doll > Sugar Magnolia

11/21/1985 Oakland Shakedown Street > Crazy Fingers > Playing In The Band > She Belongs To Me > Drums > Space > The Other One > Wharf Rat > Playing In The Band > Gimme Some Lovin' > In The Midnight Hour

3/28/1986 Portland Me Playing In The Band [8:25] > Franklin's Tower [7:10] > I Need A Miracle [4:40] > Playing In The Band Jam [8:20] > Drums [11:26] > Space [3:43] > The Wheel [4:03] > Dear Mr. Fantasy [5:42] > Playing In The Band [2:35] > Around And Around [3:44] > Good Lovin' [7:03]

4/19/1986 Berkeley Crazy Fingers ; Playing In The Band ; Drums ; Space ; The Other One ; China Doll ; Playing In The Band ; Sugar Magnolia

5/4/1986 Sacramento Playing In The Band ; Drums ; Space ; Uncle John's Band ; Playing In The Band ; I Need A Miracle ; Wharf Rat ; Around And Around ; Good Lovin'

12/15/1986 Oakland Playing In The Band ; Terrapin Station ; Drums ; Space ; Truckin' ; Wharf Rat ; Playing In The Band ; Good Lovin' (Touch of Grey Show)

12/27/1986 Oakland Playing -> Whole Show -> Playing

3/29/1987 Philly Mississippi Half-Step Uptown Toodeloo [7:45] > Playing In The Band [10:16] > China Doll [6:31] > Man Smart (Woman Smarter) [7:20] > Drums [7:02] > Space [7:#18] > The Wheel [6:54] > Goin' Down The Road Feeling Bad [6:13] > Playing In The Band Reprise [3:11] > Black Muddy River [6:00] > Sugar Magnolia [8:45]

4/4/1987 Worcester Playing In The Band [10:43] > Comes A Time [8:25] > Willie And The Hand Jive [6:25] > Drums [7:39#] > Space [#6:36] > Truckin' [8:08] > Playing In The Band Reprise [3:22] > Morning Dew [9:24]

8/23/1987 Angel Camp Playing In The Band [8:00] > Drums [7:55] > Space [4:#56] > I Need A Miracle [3:19] > Dear Mr. Fantasy [4:44] > Playing In The Band Reprise [2:24] > Morning Dew [9:40]

4/13/1988 Chicago Sugar Magnolia [5:03] > Bertha [7:01] > Playing In The Band [7:43] > Uncle John's Band [6:28] > Drums [7:02] > Space [3:31] > Jam [3:41] > Playing In The Band Reprise [4:28] > Goin' Down The Road Feeling Bad [6:23] > Morning Dew [9:23] > Sunshine Daydream [3:55]

6/26/1988 Pittsburgh Playing In The Band [8:09] > Uncle John's Band [8:51] > Playing In The Band Reprise [2:20] > Drums [7:20] > Space [9:30] > Dear Mr. Fantasy [4:50] > Hey Jude [2:49] > Black Peter [9:04] > Turn On Your Lovelight [7:10]

4/6/1989 Ann Arbor Playing In The Band > Built To Last > Drums > Space > I Will Take You Home > The Other One > Wharf Rat > Around And Around > Playing In The Band Reprise

4/28/1989 Irvine Crazy Fingers > Playing In The Band > Uncle John's Band > Playing In The Band > Terrapin Station > Drums > Space > The Wheel > I Need A Miracle > Standing On The Moon > Sugar Magnolia > Touch Of Grey

6/19/1989 Shoreline ; Playing In The Band ; Crazy Fingers ; Playing In The Band Reprise ; Drums ; Space ; I Will Take You Home ; All Along The Watchtower ; Black Peter ; Throwing Stones ; Not Fade Away

10/9/1989 Hampton Playing In The Band [10:35] > Uncle John's Band [10:22] > Playing In The Band Reprise [3:38] > Dark Star [18:#27] > Drums [9:22] > Space [7:05] > Death Don't Have No Mercy [8:18] > Dear Mr. Fantasy [4:43] > Hey Jude [3:25] > Throwing Stones [9:#59] > Good Lovin' [6:35]

10/16/1989 East Rutherford Dark Star [10:42] (1) > Playing In The Band [7:27] > Uncle John's Band [8:53] > Playing In The Band Jam [8:31] > Drums [6:21] > Space [4:#22] > I Will Take You Home [4:10] > I Need A Miracle [3:47] > Dark Star [5:06] (2) > Attics Of My Life [4:23] > Playing In The Band Reprise [3:03]

10/25/1989 Miami Playing In The Band [10:07] > Uncle John's Band [12:01] > Playing In The Band Reprise [5:55] ; Standing On The Moon [8:05] > Truckin' [7:47] > Jam [1:#30] > Drums [8:17] > Space [9:54] > Gimme Some Lovin' [4:59] > Wharf Rat [10:11] > Sugar Magnolia [8:20]

12/9/1989 LA Playing In The Band ; Crazy Fingers ; Uncle John's Band ; Playing In The Band Reprise ; Drums ; Space ; Dear Mr. Fantasy ; Hey Jude ; Turn On Your Lovelight

4/7/1991 Orlando Crazy Fingers > Playing In The Band [11:34] > Uncle John's Band [8:47] > Playing In The Band [10:25] > Drums > Space ; Box Of Rain ; Goin' Down The Road Feeling Bad ; Turn On Your Lovelight

6/22/1991 Chicago Foolish Heart [11:25] > Looks Like Rain [7:23] > Crazy Fingers [8:05] > Dark Star [:45] > Playing In The Band [7:17] > Terrapin Station [10:21#] > Jam [#4:22] > Drums [11:32] > Space [8:13] > Dark Star [7:03] > Playing In The Band [3:37] > Black Peter [9:23] ; One More Saturday Night [1:41#]

9/25/1991 Boston Victim Or The Crime > Crazy Fingers > Playing In The Band > Terrapin Station ; Drums > Space > That Would Be Something > Playing In The Band > China Doll > Throwing Stones > Not Fade Away

5/15/1993 Vegas Playing In The Band > Crazy Fingers > Playing In The Band Reprise > Drums > Space > All Along The Watchtower > Days Between > One More Saturday Night

5/26/1993 Sacramento Victim Or The Crime > Crazy Fingers > Playing In The Band > Drums > Space > Corrina > Playing In The Band Reprise > China Doll > Around And Around

This is 6-30-74 I think JGMF