Garcia said “We were great for seconds on end.” I was lucky to see Jerry play for about 1,000,000 seconds exactly. Thanks for your 1,000,000 views here . Dave Davis wrote this blog for 500 posts and 5 years from 2015 to 2019. Contact me at twitter @gratefulseconds

Thursday, March 30, 2017

Set Structure II: Garcia Mood Shifters, 1972-1995

Borrowed from Blair Jackson's Book

There were ten Jerry songs that fit that slot for the slow song right after the chaos and confusion of the Jam. Jerry made us feel calm and already until Bobby would pull a Chuck Berry or a rocker to close things down at the end.  This went on about 90% of the time during the last 1,590 shows the Grateful Dead played during the last 24 years of the group.

Until the late 1980's, there were three major selections, Wharf Rat, Stella Blue and Black Peter that occured in about 61% of the shows during this slot.  If you were lucky, you might get a Comes A Time, a China Doll or a Morning Dew which occured about another 20% of the time.  Towards the end, Bob Hunter got his pen and worked with Jerry to add a couple of other classics Standing On the Moon and Day's Between.  

Light Into Ashes made some serious comments on this issue back in 2011
It sure felt to me, that with the exception of some special situations, in was a Jerry decision in the moment. 

So did Thoughts on the Dead in 2012

When compared with the changes occured at the top of the Jam in my first piece on Second Set Structure,  the Jerry slow down slot was relatively consistent and almost a sure thing (note in 1973 and 1974, you would often get two of these as Eyes>China Doll might occur in addition to a Stella or Wharf Rat.
I still will analyze the Jam from 1983 to the end in 1995 as I sense that the band, as it added a large number of songs, played a more varied second set jam.


During my 80 trips to the plate, I experienced similar findings (86% of shows vs 91% for the band as a whole). I saw Wharf Rat in 33% of my shows (as opposed to the 23% played by the band), and I was fortunate to see 6 Morning Dews, 4 China Dolls, and 2 Comes A Times.  During the timeframe 1978-1982 which Phil Lesh called "a holding pattern", I was pretty much only seeing Black Peter, Wharf or Stella Blue in that slot. I was sad to miss If I Had the World To Give by one show (11/20 and 11/21/78).

Edit: Take a listen to the 6-12-76 and 6-14-85 sets above; two special unique nights

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